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The New York Street that Changed American Art Forever
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The New York Street that Changed American Art Forever

EPISODE 1624:  In this KEEN ON show, Andrew talks to the author of THE SLIP, Prudence Peiffer, about Coenties Slip, an obscure street on the lower tip of Manhattan and the remarkable modern artists who got their start there

Prudence Peiffer is an art historian, writer, and editor, specializing in modern and contemporary art. She is Managing Editor of the Creative Team at MoMA, New York. She received her PhD from Harvard University. Following a postdoctoral fellowship at Columbia University, she  was a SeniorEditor at Artforum magazine from 2012-2017, and Digital Content Director at David Zwirner in 2018. Her writing has appeared in the New York Times, New York Review of Books, Artforum, and Bookforum, among other publications.

Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.

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Nobody asks sharper or more impertinent questions than Andrew Keen. In KEEN ON, Andrew cross-examines the world’s smartest people on politics, economics, history, the environment, and tech. If you want to make sense of our complex world, check out the daily questions and the answers on KEEN ON.
Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best-known technology and politics broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running show How To Fix Democracy and the author of four critically acclaimed books about the future, including the international bestselling CULT OF THE AMATEUR.
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